摘要
本文以装置艺术重"意象"的特征为切入点,结合家具发展三个阶段的家具设计作品为样本(明式家具、里特维尔德与杜尚作品、droog与孟菲斯设计集团作品),分析不同设计师意象表现的差异性,提出家具设计要像装置艺术那样,真正价值在其所蕴含的理念与发人深思的想象的观点。
The paper chooses the installation art＇s feature of focusing on ＂images＂ as the penetration point. Combining with the furniture design samples at three development periods of fimfiture （furniture in the Ming Dynasty, Rietveld＇s and Duchamp＇s works, droog＇s and Memphis Group＇s works）, the paper analyzes the differences of irnage demonstrations expressed by different designers. Besides, it puts forward that like installation art, furniture design＇s real value lies in the underlying notions and ideas which provoke people＇s reflections.
出处
《家具与室内装饰》
2014年第4期14-15,共2页
Furniture & Interior Design
基金
国家社会科学基金"艺术规划"项目(编号:03BG090)
关键词
装置艺术意象
家具设计
Installation Art
Images
Furniture Design
