摘要
日本哲学家九鬼周造,在其代表作《"粹"的构造》中吸收、转化了海德格尔前期思想,借以分析"粹"这一日本独特的审美意识。其理论建构回应了两个具有内在同一性的问题:海德格尔提出的非西方文化是否有必要、有可能去学习西方概念体系的疑问;京都学派的理论难题,如何面对西方思想的普遍扩张渗透,确立日本思想独立的自我意识。
Shuzo Kuki is a Japanese philosopher, whose masterpiece is The Structure of Iki. It applies and transforms Martin Heidegger's early thought to analyze "Iki" which is the unique aesthetic consciousness in Japan. His theoretical construction responds to the two questions of being intrinsic homoousian: the first one is whether it is necessary and possible for us to employ the non-western culture put forward by Martin Heidegger to study the western conceptual system; the second one is how to establish independent self-consciousness of Japanese ideology when the people are faced with the wide-spread invasion of western ideology. The latter one is also a theoretical problem of the Kyoto School.
出处
《外国问题研究》
2014年第1期67-71,共5页
FOREIGN HISTORY STUDIES