摘要
作为19世纪欧洲浪漫主义音乐的杰出代表,肖邦是历史上第一个把叙事曲这一体裁运用到钢琴曲创作上来的作曲家,其音乐创作的代表性手法都较为集中地体现在他所创作的四首大型钢琴叙事曲之中。本文尝试从波兰乡土气息及民族忧患意识两方面来探讨叙事曲深刻的民族性特征,以求展示肖邦钢琴艺术宝库的绚丽多姿和博大精深,为更深刻地理解和拓展钢琴音乐的表现力提供一定的借鉴或启迪。
As one of the great masters of romantic music in the 19th century, Chopin was the first composer who brought ballade into piano music, which was reflected on his four compositions. The essay is trying to discuss the national characteristics in ballade from strong Polish local flavor and national awareness of unexpected development, so as to reveal the colorful and profound treasure of Chopin's piano art and to provide a mirror for deeper understanding and wider expansion of piano expressive force.
出处
《江西科技师范大学学报》
2014年第1期122-128,共7页
Journal of Jiangxi Science & Technology Normal University
基金
泉州师范学院社会科学研究课题(2010SK33)
关键词
肖邦
叙事曲
民族性
探析
Chopin
ballade
national characteristic
analysis