摘要
阴阳五行的宇宙观催生了中国古代艺术形象虚实显隐对立互用的创造方法、"宇中有宙,宙中有宇"的生命化与音乐化了的时空意识、孕育出了重视虚体的灵动的"气韵生动"的审美崇尚,催生了以中和为美的审美理想,中国古代艺术中的许多重要审美特征的形成,都可以从阴阳五行的宇宙观中找到很好的理论阐释。
The world view of yin-yang and five elements urges the creation method to arise.And the method is proposing and using each other in ideology and practical and conspicuous and hiding in the art's figure in ancient Chinese.The living of 'time among space and space among time' and the time-space consciousness give birth to upholding the appreciation of beauty that pays attention to ideology,intelligence and 'Qi-resonance life-movement'.The form and characteristics of many important aesthetics features in the arts in ancient Chinese can be found and explained in theory from the world view of yin-yang and five elements.
出处
《淮阴师范学院学报(哲学社会科学版)》
2014年第2期232-237,280,共6页
Journal of Huaiyin Teachers College(Social Sciences Edition)
关键词
阴阳
阴阳五行
气
中国艺术
yin-yang
yin-yang and five elements
Qi
Chinese arts