鲁迅《故事新编》的符号学阐释——兼论《补天》、《铸剑》、《理水》中色彩语词的使用

Semiotic Interpretation of Lu Xun's "Old Tales Retold" ——Discussion on color words in "Mending Heaven", "Casting Sword" and "Harness Floodwater"

《故事新编》在书写方式上呈现出别具特色的形式美学特征,特别是《补天》、《理水》和《铸剑》三个文本对于黑、白等色彩词的运用达到了极致,它们所建构的五彩斑斓的"语象"世界充满了现代神话的意味。文章考察了《故事新编》中色彩词运用的符号学意义,以期对鲁迅的"新寓言文体"进行形式美学的解读。

The texts of Lu Xung short story collection ＂Old Tales Retold＂ show distinctive aesthetic features in the style of writing, especially in ＂ Mending Heaven＂ , ＂ Casting Sword＂ and ＂ Harness Floodwater＂. These three texts have achieved an ultimate extent in the use of color words such as black and white. As a result, they construct a colorful verbellcon, which has been full of modern mythology. This paper examines the semiotics significance of color words in ＂Old Tales Retold＂ for formal aesthetic interpretation of Lu Xun~ ＂new fable style＂.