勃拉姆斯音乐创作的双重性——“延承”与“创新”

The Duality of Brahms's Music Creation——“Inheritance” and “Innovation”

本文以勋伯格撰写的文章《创新者勃拉姆斯》和弗里希著《勃拉姆斯和展开性变奏的原则》一书的研究观点为依据,结合本人对勃拉姆斯不同时期作品的分析,试图以全新的视角从发展手法、和声、节奏三个方面对勃拉姆斯音乐写作中技法的延承与创新进行论述,同时阐述了勃拉姆斯特有的音乐语汇对20世纪音乐的影响。

Based on the research viewpoints of Schoenberg＇ s ＂Brahms, An Innovator＂ and Frich＇ s ＂Brahms and His Developed Variation Principles＂ this paper discussesBrahms＇ s inheritance and innovation in music writing technique from such per spectives as developing method, harmony and rhythm, and also expounds the influ ence of Brahms＇ s special music language upon the 20th century music.