歌剧《钓鱼城》音高组织材料探析

The Analysis of Pitch Organization Materials in Opera “Diaoyucheng”

本文以徐占海创作的歌剧《钓鱼城》音乐的和声语汇研究为主线,深入剖析作品的音高组织材料,通过调式材料和纵向音高材料两个部分的研究,可以明显的看出作曲家对中国民族音乐语言的重视;对现代新创作技法的探索;对中国传统歌剧音乐创作的突破,将中国五声民族化的音乐语言与现代思维理念融合到自己的作品中,形成富有个性化的音乐语汇和创作风格。

Based on music harmony language ofXu Zhanhai＇ s opera ＂Diaoyucheng＂, this pa per makes a deep analysis of pitch organization materials. Through the research of mode material and vertical pitch material, the author of this paper finds that the composer pays stress on Chinese national music language, explores the new mod em composing technique and makes a breakthrough in music creation of traditional Chinese opera. The composer blends Chinese pentatonic nationalization and mod em thinking idea into his work, and develops an individual music language and cre ation style.