傩戏的面具与非物质之“道”

Nuo Opera Masks and Intangible “way”

傩戏面具是傩仪与戏剧表演相结合的民俗艺术形式,作为中国文化的另类记号,它有自己一整套程式化、结构化的记号概念和演述系统。根据傩戏面具的纹样图案、五官造型考察傩戏面具的层级迁延与群落形态的类型学意义及其细节特质,有助于我们进一步认知这一借由行动和表演形成的、与固有的文字书写史相区别的另一维度的演述史。傩戏围绕面具完成了艺术与宗教、物质与非物质的转换机制,演述着与人有关、与天堇有关、与神鸟有关、与人类精神愉悦与灵魂自由有关的密码记号——待时而动、知行合一、超越现世苦难、自由在地行走。傩戏面具的背后蕴含着穿透历史与时光的非物质之"道"。

Nuo opera mask is a combination folk art form of Nuo and drama. As an offbeat mark of Chinese culture, it has a set of stylized, structured mark concept and system. To investigate significance and detailed characteristics of persistent and community level of Nuo opera masks from the mask patterns and features will contribute to our further cognition of another dimension of the history of differences between Nuo opera which is formed by action and performance, and natural writing history of natural language. By via of masks, Nuo opera completes a transformation mechanism of art and religion, matter and antimatter, performs a password mask that is related to human being, Days of cordierite, pleasure of human spirit and freedom of soul--Bide one？s time, and beyond this life, suffering, free to walk. The Nuo mask contains an intangible way that can pass through time and history.