论“童心论”批判

On "Childishness Theory" criticism

"童心论"批判是二十世纪六十年代儿童文学界的一场大规模的批判。它使五十年代以来儿童文学理论研究中非学术性的政治批判现象达到了新的狂热程度。在对"童心论"的批判中儿童文学的特殊性、儿童文学的题材和儿童文学观是被批判的中心,其中儿童文学观即"童心论"被称为资产阶级的"儿童本位论"。批判在此基础上将陈伯吹的文章和作品上纲上线,是一场非正常的文化批判。仔细审度这场批判就会发现,批判的出现既有时代背景因素,也有无法辩证看待艺术创作中思想标准和艺术标准关系的因素,更是一场文学理论研究基础上的,对儿童中心主义、儿童本位论理论和思想的肃清和批判。正确认识这场批判,挖掘"童心论"的实质和价值是对儿童文学发展规律的有效探索。

＂Childishness Theory＂ criticism was a large-scale criticism of children＇s literature in 1960s. It has made the phenomenon of the non-academic political criticism reach the top in children＇s literature theory since 1950s. In the criticism focuses on the specificity, theme and view of literature in children＇s literature and ＂Childishness Theory＂ is called bourgeois ＂Children＇s Orientation＂. The criticism is an abnormal cultural criticism which exaggerate Chen Bochui＇s Articles. According to this critique, it is found that the reasons mainly lie in historical background, incorrect view on the relationship between art creation thought standard and art standard .It is the purge and criticism on the child centrism and children oriented theory and thought based on the study of literary theory.It is a good way to explore the development rules of children＇s Literature through understanding the criticism correctly and finding the essence and value of ＂Childishness Theory＂.