摘要
考据学者与戏曲批评者的双向交流,是清代乾嘉考据学影响清代戏曲批评的重要原因。乾嘉考据学著述疑经辨伪、独抒己见、旁征博引、无征不信、以史为据、实事求是等特点,在清代戏曲批评中烙有深刻印记。但两者毕竟都还不能摆脱儒家教化观念、伦理思想的束缚,如果仅强调其桎梏关系,不免偏颇。
Two-way exchange textual scholars and critics of the opera,is an important cause of influence each other;Qian Jia textology works by detection of forgeries,only to express doubt;load one’s pages with references,not credible unless sup-ported by evidence;taking history as according to seek truth from facts,features,in the drama critics branded with the mark;but after all,can not shake off the shackles of Confucian values,ethics thought.
出处
《齐鲁学刊》
CSSCI
北大核心
2014年第2期130-135,共6页
Qilu Journal