苏轼文人集团“以诗为画”对邓椿《画继》的影响

The Influence of “Poems for Painting” by SU Shi's School of Literati on DENG Chun's Huaji

苏轼文人集团是一个以苏轼为中心,"苏门六君子"及李公麟、米芾等书画艺术家为主体的文士集团,他们的艺术思想直接影响到北宋元祐以后的书画风气和艺术批评。其"士人画"的艺术思想,"以诗为画"的艺术追求甚至突破士人书画的界限影响到院体绘画,邓椿《画继》作为北宋重要的艺术批评资料,其艺术观点深受苏轼文人集团艺术思想的影响。

The school of literati represented by SUShi （1037--1101）, with Six Gentlemen Literary Writers （including HUANG Ting-jian, QIN Guan, CAO Bu-zhi,ZHANG Lai, CHEN Shi-dao and LI Zhi） and painting and calligraphy artists like LI Gong-lin and MI Fu as its main members. Their artistic thoughts directly affected the artistic trend of calligraphy and painting and artistic criticism after the Em- peror Zhe-zong （1086--1194） of the late Song Dynasty. The artistic thoughts of the ＂literati painting＂ of the school, together with its artistic pursuits of ＂Poems for Paintings＂ even broke through the boundaries of ＂literati painting＂ and calligraphy and affected the style of the imperial painting court, and one exam- pie of this respect was DENG Chun--a famous painter of that era, whose historic works of painters Hua Ji or The History of Painters of the Song Dynasty was once used as important artistic materials of criticism and whose artistic viewpoint was influenced by that school of literati represented by SUShi.