摘要
大舍建筑事务所用"即境即物,即物即境"来描述近期作品中涉及策略的变化。以此为契机,本文讨论了大舍建筑自2001年成立以来3个阶段中不同的设计策略以及背后的思想动机。最后,本文以龙美术馆为核心,分析了大舍对"物"的强调以何种方式体现,以及所蕴含的意义。
In recent exhibitions, Atelier Deshaus has used the concepts of Jing and Wu to illustrate new tendencies in their work. Following this clue, this essay discusses the evolution of their design strategy in three phases. It analyzes how the concept of Wu is realized in the design of Long Gallery and the deep meaning underlying this architectural gesture.
出处
《世界建筑》
2014年第3期82-91,125,共10页
World Architecture
关键词
大舍
三阶段
境
空间范式
物
Atelier Deshaus, three phases, Jing, SpatialParadigm, Wu
