摘要
文章通过两个位于农村的小项目的设计,探索在中国的乡村中,具有现代建筑特征的几何构成是如何同那种无序和自发的乡土环境发生关系的。其中,位于湖南张家界的荷堂艺术馆是一幢现有建筑的改造,在保留原有框架不变的情况下,用当地最普通的红砖重新砌筑而成。而位于陕西富平县的小茶室仅67m2,是废旧青砖的重新利用。两个项目都借助几何构成的手法,用最低廉和最常用的材料,在当地农村创造了全新的建筑景观。
The article explores the relationship of the geometries of modern architecture to the disordered spontaneous vernacular environment of the Chinese countryside through the lens of two small projects. The Hetang Art Gallery, located in Hunan＇s Zhangjiajie, is a transformation of existing buildings. The Art Gallery is built with the most common brick masonry and retains the original framework of the existing structures unchanged. A small tearoom of only 67 square meters, located in Shanxi＇s Fuping county, is built from salvaged waste brick. In both projects modern geometries are constructed using the lowest and most commonly available materials. Projects such as these are bringing a new architectural language to local villages.
出处
《世界建筑》
2014年第3期100-105,共6页
World Architecture
关键词
几何构成
乡土
砖
geometric construction, local soil, brick
