摘要
上海创盟国际建筑设计有限公司由袁烽于2003年成立。展览从建筑设计方法入手,总结慨活了袁烽及其团队这十年的创作历程。"算法几何"、"数字建构"、"性能美学"和"互动建筑"构成了"自主建构"展览的四大板块,也是理解其作品的重要线索。研究、教学和实践三者的并行而产生的"半自主"状态,精准地描绘出创盟十年的创作状态。数字设计作为指导其创作的方法,与其实际建造和地域特征相结合,探索出一条独特的结合传统、兼顾低技的数字化建构之路。
This article makes a summary of Philip Yuan' s design in the past decade from the perspective of design methodology.Algorithmic geometry,digital tectonics,performance aesthetics and interactive architecture constituted the four sections of "Autonomous Tectonics" Exhibition.They are also important clues for the understanding of his works.The parallel development of research,teaching and practice resulted in a "quasi-autonomy" status,and it exactly showed Philip Yuan' s desiga status in the past decade.Digital design,as a methodology gu ding Philip Yuan' s design,is combined with the real construction situation and local characteristics in China with whioh he has explored a unique read of digital tectonics that not only considers the tradition but also takes the "low-tech" into account.
出处
《新建筑》
2014年第1期54-59,共6页
New Architecture
关键词
自主建构
算法几何
数字建构
性能美学
互动建筑
autonomous tectonics
algorithmic geometry
digital tectonics
performance aesthetics
interactive architecture