摘要
生态危机和气候变化将可再生能源应用提上战略性位置,随着这类能源应用比重的日益加大,可再生能源设施的美学干扰成为公众关注的焦点。结合对"2012年大地艺术发电机倡议设计竞赛"(LAGI2012)一等奖作品的解析,探讨该作品通过跨学科的融贯和多维度的统筹,重新审视能源与景观的关系,把能源景观推向爱与美牵手的终点——"场所之爱"的整个过程,并提出杂合、再生和动态三原则以资中国当代能源景观创作借鉴。
Ecological crisis and climatic deterioration push renewable energy to a strategic position for solving current environmental problems.With the increasing application of renewable energy,the aesthetic impact of renewable energy infrastructures has become the focus of public concern.This paper analyses the first prize work in the 2012 Land Art Generator Initiative (LAGI) design competition,and discusses the way in which we can eventually reach the aesthetic revolution of renewable energy infrastructures with the integration of land art and interdisciplinary creative process,as well as trying to build "seamless integration","open space" and "topophiia".It puts forward the principles of hybridity,regeneration and dynamism,which might shed light to the design of Chinese contemporary energy landscapes.
出处
《新建筑》
2014年第1期140-143,共4页
New Architecture
基金
国家自然科学基金资助项目(51178292)
高等学校学科创新引智计划资助项目(B13011)
关键词
可再生能源设施
大地艺术
能源景观
renewable energy infrastructures
land art
energy landscapes