诗格对偶理论及其审美建构

Antithetic Structure of Poetic Styles and Its Aesthetic Construction

诗格理论是主要以近体诗艺术形式为研究对象的体系化探讨,对偶说是其中一个重要组成部分,即讨论写作中运用什么样的对偶类型,如何运用对偶,才能在诗的音声和篇章上表现出偶丽、谐和、严整的艺术效果,从而容纳万象于一体,展现内涵丰富、时空开阔的艺术境界。具体而言,唐人研究的对偶类型丰富,涉及字、音、义、句等多个方面,并随着时代的发展,由于其整体意识和篇章意识的贯注,表现出从"专对不移"到"随势通变"的特征。诗格讨论对偶形式目的在于审美建构,即建立诗篇严整偶丽的结构,表达圆融丰富的意义和建构时空开阔、时空交融的审美效应。

The theory on poetic style is the systematic exploration of ＂modem style＂ poetry of the Tang Dynasty. Antithetic style is an important part of it. This theory studies what type of antithetic structure is to be adopted and how to use it to achieve artistic effects of beauty, harmony and neat formation. Thus, an artistic conception, rich in connotations, varied in time and space and condensed in meaning, can be attained. In specific, antithetic style of the Tang Dynasty is varied, encompassing word, sound, meaning .and syntax. With the instilment of discourse awareness, ＂strict adherence to antithetic rule＂ was gradually transformed into ＂variation according to situation＂. Poetic styles are explored for aesthetic con- struction, establishing antithetic structure, expressing manifold meanings and constructing aesthetic effect harmonizing time and space.