摘要
《左传》叙事视角复杂多样,包括解经者视角、史官文化视角、全知全觉视角、限知限觉视角等不同类型。经典的解经视角与史官文化视角证明《左传》与《春秋》关系密切,但又不是简单的为解经而作;全知全觉叙事视角与限知限觉叙事视角的并用,尤其是限知限觉叙事视角的广泛运用体现了《左传》叙事艺术的大大提高。综合分析,《左传》的编写存在一个不断扩充的过程,其性质也存在一个不断发展变化的过程,在编写之初它概主要参考《春秋》的编年体例以叙史为主。后来,具有儒家思想的学者为之增补了解经语、评论语等彰显《春秋》"微言大义"的言论,同时对《左传》的记事也增加了一些能够显示《春秋》经义的内容。
The Tso Chuan has complex and varied narrative perspectives, including the classic, historiographer culture perspective, limited perspective such as different types. Classic solution perspective with historiographer culture angle of view has proved in Tso Chuan, and closely related to the Spring and Autumn Annals, not simple for the classics; Narrative perspective and the limited feeling of omniscient all sleep know limit perception of narrative perspective and especially limited feeling the widespread application of narrative perspective reflects the Tso Chuan, narrative art is greatly increased. The writing of the comprehensive analysis of Tso Chuan, there is a process of constant expansion, the natureis also a process of constant development,.at the beginning of writing,it is the main reference of the Spring and Autumn Annals chronological style is given priority to with Syria's history. Later, with Confucian scholars as the supplement of the classics, comments and reveal the Spring and Autumn Annals 'how's sense of honor', the chronicle of Tso Chuan also added some able to display the content of the spring and autumn annals by righteousness.
出处
《中华文化论坛》
北大核心
2014年第4期31-39,191,共9页
Journal of Chinese Culture
关键词
《左传》
叙事视角
复杂多样
意蕴阐证
Tso Chuan
narrative perspective
complex and diverse
connotation interpretation.