6Littoz-Monnet,A.2007,The European Union and Culture: Between Economic Regulation and Euro- pean Cultural Policy,pp. 21-36.
7Manchester: Manchester University Press. Mulcahy, E. V. 1998, Cultural patronage in compar- ative perspective: Public support for the arts in France,Germany,Norway,and Canada. Journal of Arts Management, Law, and Society, winter, 27 (4): 247-263.
8Cummings,M. C. and Katz,R. S. 1987,Government and the arts: An overview. I n: Cummings,M. C. and Katz,R. S. (Eds.), 1987,The Patron State: Gov- ernment and the Arts in Europe, North America, and Japan,pp. 3-16. Oxford: Oxford University Press.
9Hillmann-Chartrand,H. and McCaughey,C. 1989, The Arm's Length Principle and the arts: An inter- national perspective-past,present,and future. In: Cummings,M. C. and Schuster,J. M. D. (Eds.).1989,Who's to Pay for the Arts? The International Search for Models of Support, pp. 43-80. New York: ACA Books.
