摘要
《文心雕龙》作为中国古代文论经典,今天对它的研究需要开拓与"世界文学"沟通融会的新思路;马克思文论源于西方文化背景,她在当代中国的发展,也需要寻求与中国传统文化资源相结合的新途径。从审美情志、社会关怀、人文追求三个方面,可以比较明确地看到两者的相通性。
The study of Wenxin Diaolong( The Literary Mind and The Carving of Dragons),which is a classical work of literature theory in ancient China,needs a new approach of putting it in the context of the'world literature'. On the other hand,the literature theory in Marxist aesthetics,which originated from the West,also requires a new way to combine itself with Chinese cultural resources so as to realize its development in contemporary China. This paper explores the similarities between Wenxin Diaolong and Marxist aesthetics from three aspects,namely,aesthetic emotion and will,social concern,and humanistic ideal.
出处
《华东师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2014年第2期24-32,151,共9页
Journal of East China Normal University(Humanities and Social Sciences)
关键词
审美情志
社会关怀
人文追求
文心雕龙
马克思美学
aesthetic emotion and will,social concern,humanistic ideal,The Literary Mind and The Carving of Dragons,Marxist aesthetics