回顾与思考:盖派艺术研究六十年

Review and Thinking: Six Decades of Research on Gai School

盖派艺术研究已走过逾六十年历程,其间保留下了珍贵的戏曲文献资料并涌现出一批代表性的研究文章,但研究中也不可避免地存有问题与局限。想要在此基础上深化盖派艺术研究,首先必须进一步做好研究的基础性工作;其次是在已有研究的基础上追问,寻找问题的"触点",拓展思考空间;再次是利用现代学科发展与互补优势,以充分尊重研究对象特性为前提,改进研究思路与方法。不仅使得盖派艺术研究不断深入,以补益于舞台传承,也可以此为个案,寻求具有普遍性表演艺术规律问题的解答路径。

There are more than six decades of research on Gai school art when a lot of precious literature of traditional Chinese opera is preserved and a number of representative research articles are written. However, there are problems and limitations in these researches. In order to further the research on Gai school art, we should first accomplish the fundamental research work. Secondly, on the basis of existed research, we still need to look for the point of each problem and to expand the space of thought. Finally, under the premise of fully respecting the characteristics of the research object, we can take the advantage of the development of modern discipline system to improve the thought and method of research. Thus, we can not only further the research of Gai school art for the inheritance on th6~ stage, but also explore the answer to the common question of performing art laws.