摘要
清代中叶经学家孔广林创作有《璇玑锦》、《女专诸》、《松年长生引》杂剧三种和《斗鸡忏》传奇一种。由于孔广林经学家的身份和深受儒学的熏陶,使得他的剧作表现出了鲜明的学术化特征,即在形式上具有格律化和复古化的倾向,而在戏曲思想内容上表现出伦理化和正统化的色彩。
The mid-Qing classicist Kong Guanglin has Zhuanzhu and Pine Longevity, and one chuanqi opera and deep influence of Confucianism, Kong Guanglin＇ metrical and retro tendency in the form and ethical and written three zaju operas Armillary Sphere Brocade, Women Cockfighting Repentance. Because of the identity of classicist s plays show distinct academic characteristics, namely the orthodoxy tendency in the content.
出处
《浙江艺术职业学院学报》
2014年第1期31-35,共5页
Journal of Zhejiang Vocational Academy of Art
基金
2011年国家社科基金<清代经学与戏曲>后期成果。(项目编号:11XZW035)
关键词
孔广林
经学家
戏曲
学术化
格律化
Kong Guanglin
classicist
traditional Chinese opera
academic
metrical tendency
