摘要
新中国成立后,我国古筝音乐演奏技法、曲目创作日益丰富,左手技法的发展尤为显著。左手技法不仅丰富了古筝音乐的表现力,而且随着左手取音技术的突破与创新,左手新型技法被创造出来的同时,诸多新的古筝音乐风格也随之涌现。传统左手技法与现代技法有着鲜明的音乐特性,左右手技术平衡发展与现代古筝音乐的发展关系紧密。在学习、创新左手技法时,除了要关注左、右手发展的平衡性,更要重视传统筝曲的音乐内涵,不可失之偏颇。古筝左手技法的发展是为古筝音乐的表现手法服务的,是为丰富音乐内涵而作的努力。
After the Founding of new China, performance techniques and music creation of guzheng are increasingly rich, and the development of left hand techniques are particularly significant. The left hand techniques enrich the expressive charm of gttzheng music, and many new styles of guzhertg music are developed with the breakthrough and innovation of left hand techniques. The traditional and modern left hand techniques have distinctive characteristics. The balanced development of left and right hand techniques is closely related with the development of modern guzheng music. In addition to the balanced development, the connotation of traditional guzheng music more should be atta- ched great importance during the learning and innovation. The development of left hand techniques serves for the ex- pression of guzheng music as well as the enrichment of the music connotation.
出处
《浙江艺术职业学院学报》
2014年第1期65-70,共6页
Journal of Zhejiang Vocational Academy of Art
关键词
古筝
左手技法
传统
现代
左右手平衡
guzheng
left hand techniques
traditional
modern
balanced development