摘要
布达佩斯学派最出色的哲学家阿格妮丝·赫勒的新马克思主义美学以此在的日常生活的个体性建构和偶然性的人类条件为基础,逐步摆脱了卢卡奇的存在美学之框架。她在人道主义美学中实现了从现象透视本质的意识哲学向日常生活的多元选择的嬗变,为后现代主义的马克思主义美学建设做出了突出的贡献,在当代社会主义与晚期资本主义或者后现代的生存处境中具有崭新的理论价值和现实意义。
Agnes Heller＇ s neo - Marxist aesthetics is based on the individual construction of Dasein and the human condition of contingency, and it can be argued as a breakthrough of Lukhcs＇ aesthetics of Being. By way of humanist aesthetics, she accom plishes the transformation from the philosophy of consciousness into the selective construction of everyday life. This transformation is doubtlessly a great contribution to postmodernist Marxist aesthetics, and is valuable for both theory and practicum in the era of contemporary socialism and late capitalism or postmodern human condition.
出处
《文艺理论研究》
CSSCI
北大核心
2014年第2期123-129,共7页
Theoretical Studies in Literature and Art
基金
国家社科基金项目"东欧新马克思主义文艺理论研究"(项目编号:12XWW002)
国家社科基金重点项目"国外马克思主义文论的本土化研究--以东欧马克思主义文论为重点"(项目编号:12AZD091)阶段性成果
