伍尔夫女性主义思想的诗学建构与消解——从小说理论到叙事实践

Construction and deconstruction of Virginia Woolf's feminist poetics: From theory of the novel to practice in narrative

弗吉尼亚·伍尔夫一直在其小说理论和叙事实践中,竭力呈现其独特的女性主义思想。伍尔夫一方面在小说叙事内容上以"以小见大"的方式,透过女性日常生活的狭窄视角呈现人类共同理想的宏大主题;以"杀死房中的天使"的反思精神,批驳男权意识形态对人物的影响。另一方面,在小说叙述形式上,用写作散文的方式创作小说,实践"雌雄同体"的叙事观,并有意减少文本的叙述者干预,让作者退出小说,引领了现代派文学发展的潮流。在社会习俗、文本常规、作者个性的交互作用中,伍尔夫在叙事实践中实现了女性作者的叙述权威,但在文本的诗意抒写中却走向了反面,消解了这种建构女性主义小说理念的企图。

Virginia Woolf tries to express her unique feminist thought in her theory of the novel and narrative practice. In the narrative content, Woolf expresses grand themes and subjects of the common concern of mankind through the narrow perspective of women＇s daily life, and with the thought of ＂killing the angel at home＂, she criticizes the characters who hold the male - dominated thoughts. In ad- dition, in the narrative forms, her novels in the prose style has revealed the concept of androgyny in narrative in hope of reducing the textual intervention and resulting in the death of the author, a pioneer in the development of modernistic novels. In terms of social cus- toms, textual grid and author＇s individuality, Woolf has realized the women＇s narrative authority, but in terms of poetic description, she has veered in the opposite direction, a deconstruction of the core concept of feminist novels.