摘要
本论文在大量文献资料和实地调查基础上,阐释阿昌族"蹬窝罗"舞蹈的文化内涵、艺术特点、产生和发展过程。创新点在于以官方统一和组织民族节日活动作为时间节点和变量,探讨在外部力量介入时民族传统舞蹈文化演变的动态过程,分别从舞蹈时空的变迁、舞蹈动作的发展、舞蹈伴奏的变化、舞蹈仪式的简化、舞蹈目的与功能的转变以及舞蹈主体的观念变化等六个方面详细阐述;同时从政治、经济、文化交流、舞蹈主体的认知及情感变化等方面探讨演变的原因。
In this paper, the author describes the full picture of cultural connotation, artistic characteristics, generation and development history of the "'Dengwoluo" dance based on the field researches and literature reviews. Regarding official uniform and organization of the Achang national festival as a time node or variable quantity, the paper discusses the evolutions of the "" Dengwoluo" dance in the following six aspects as time and space, lnovcment development, dance accompaniments, dance programs, the purpose and function of dance and subject consciousness of dancers. In the meanwhile, this paper investigates the reasons of the dynamic process of the "Dengwohlo" dance evolution in perspectives of the politics, economic, cultural exchanges , the subject cognitive and emotional changes of dancers .
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2014年第2期58-63,共6页
Journal of Beijing Dance Academy
基金
北京市教委人才强教深化计划高层次人才项目"中国人口较少民族舞蹈文化的传承发展与审美研究"项目阶段性成果之一
关键词
阿昌族
“蹬窝罗”
少数民族舞蹈
演变
The Achang ethnic group
"Dengwoluo"
minority folk dance
evolution