我国藏戏研究文献综述

Literature Review of Research on Tibetan Opera in China

文章统计了在国内发表的有关藏戏研究方面的期刊论文和博士、优秀硕士学位论文,采用文献计量方法,对藏戏研究论文数量、进展趋势及其作者、期刊分布,博士、硕士学位论文状况等进行基于量化的分析研究,试图揭示该领域的研究成果及发展趋势。认为上世纪80年代后,有了真正意义上的理论研究,不仅建立了藏戏发展体系及藏戏剧种和流派等研究,而且注重实际调查与理论研究的结合,并提出关于藏戏研究以及藏戏发展应创新思路,改革体制和机制,培养更多实践人才和研究人才。

This paper presents a statistical summary of all the doctoral, outstanding graduate papers that have been published nationally. By using bihliometrical method, the paper shows quantitative analysis of published papers on Tibetan opera based on the number of publication, developing trend, authors, distribution among the periodicals, as well as current status of doctoral and graduate level papers. The purpose of such work is to reveal the research achievement and developmental trend in this field. This study shows that the real meaningful theoretical research appeared after 1980s which not only established researches on development framework for Tibetan op- era, different types and genre of Tibetan opera, but also focuses more on integration of theory and practice. Lastly, the paper proposes innovative ideas on development and research about Tibetan opera; the need for system reform and suitable mechanism; and also the need for training more practical professionals and researchers.