摘要
约翰森在《二十世纪艺术史》中如此记叙：战后欧洲的雕塑，从贾科梅蒂的存在主义空虚与幻想、个人与空间的压迫的形象，到英法艺术家的传承、突破，到对金属、
Through the exploration about the internal logic behind the development of sculpture since 20th century.This article indicates a conclusion about： aesthetic generalization is expanding the border of sculpture whilst the death of the ontology of sculpture will going to appear.This paper affirms the development of various possibilities of sculptures in the context of Post-Modernism.
出处
《雕塑》
2014年第2期41-43,共3页
Sculpture
