摘要
论文围绕陶瓷产品本身装饰语言和器物形式留白之美展开,留白在陶瓷产品设计以及展示范畴的应用是本文的关注点。本文从陶瓷产品的产生和各个时期的装饰表现特点,着重分析留白的演变过程以及相关历史背景给予其的影响。通过分析陶瓷产品本身的装饰性以及形式语言的留白美学特质,引申出陶瓷的发展史也就是中国文化的发展史,循着留白美学这条线索,梳理陶瓷装饰语言的美感和艺术价值。
This article will focus on the original decorative language and the beauty of‘leaving blank' in the ceramic art,the utilization of ‘leaving blank' within the areas of product design and display of ceramic art is the main point of this article.Through the analysis of the history of ceramic art and its features in different eras,to focus on the transformative process of ‘leaving blank' and the impact of its historical background.This article will also focus on the decorative features of the ceramic art and the features of formal languages ,then to state that the history of ceramic is the history of Chinese culture, this article will follow the clue of‘leaving blank' to figure out the value of the beauty of ceramic art.
出处
《雕塑》
2014年第2期58-59,共2页
Sculpture
关键词
留白
陶瓷
产品设计
装饰
‘Leaving Blank' ,Ceramic, Production Design, Decoration