“洞”与“孔”——东西方雕塑“虚空间”之辩

‘Cavity' and ‘Hole'—— Debate about ‘Virtual Space' between Eastern and Western Sculptures

自20世纪西方现代雕塑家在"虚空间"方面取得突破,颠覆了几千年来传统雕塑占有三维空间的实体这一概念。目前为止,研究雕塑的"虚空间"这一理念的论文不少,但大都把东西方雕塑家对这一概念的理解要么混为一谈,要么浮于表面,无法更深一步阐明它们在文化层面存在的明显差异。本文旨在梳理这一概念的同时,试图从多角度来理清东西方雕塑表现"虚空间"概念之间的不同。

Since twentieth Century, the western modern sculptors had already achieved the breakthrough in the virtual space in sculpture, they overturned the traditional theory that sculpture occupies the three-dimensional space in the past few thousand years. By far, There are a lot of academic articles in relation to virtual space theory in sculpture, but most of the people＇ s understandings of the conceptions of virtual space from eastern and western sculptors are contusing and superficial,there is no further clarification about their differences in culture field. This paper attempts to clarify the concept of virtual space, at the same time, this paper will figure out the differences of the expressions of virtual space between eastern and western countries.