摘要
以中国传统天然艺术媒材大漆为载体的漆艺——这一古老的视觉艺术样式——在当代艺术兴起和艺术多元化发展趋势愈发明显的当下,仍然被中国和东亚各国以东方的方式传承至今。漆艺在时间层面上的表达、漆艺中通过传统技艺的操作所可以达到的具有其独特性视觉及观念表达的可能性,以及漆艺中传递的对时间流程、创作"事件"始末的记录性和还原性,是一种与影像等涉及到时间的其他艺术样式所不同表达,它的意义正有待被发现。随着当下艺术界、文化界对于大漆及其文化、艺术不断研究、认识的深入,以及漆艺家的实践和探索,关注漆艺与时间的内在关系、漆艺在时间层面上通过某种方式进行表达的可能性将会展开,借助此种特殊物质媒材展开艺术探索,是漆艺进入纯粹艺术领域探索和创作的诸多可能性中的一种。
Nowadays, with the modern art uprising diversifiedly, lacquer art--an old visual art style, which is based on Chinese traditional natural mediums--Lacquer,is still beening adopted by China and most Eastern Asia coutries via its peculiar eastern pattern. The deep meaning hidden behind lacquer art is to be exploered, what is distincted from other time - related art trying to express. The expression of lacquer art could be explained as its emergence on time, its possibility of unique visual and conceptional description by processing traditional skills and its recordability and reducibility of time flow as well as the whole creation. As the intention of researching and understaning on lacquer and lacquer culture is growing in current art cir- cles,it is possible that more discussion will be arised on the internal relationship between lecquer art and time, the possible pattern of how lacquer art express itself on the level of time. All of these call for lacquer artists to devote more time to explore the implied meaning of lacquer art. Therefore, it goes as one feasible way for lacquer art entering the palace hall of pure art creation through art exploration of that substantial mediums-lacquer.
出处
《中国生漆》
2014年第1期6-11,共6页
Journal of Chinese Lacquer
关键词
漆艺
时间
物质性
磨显
当代艺术
Lacquer Art
Time
Materiality
Polish
Contemporary Art