摘要
文艺在中国当代社会出现边缘化的发展趋势是客观存在的,一些作家艺术家不是抵制和批判,而是顺应和迎合这种文艺边缘化的发展趋势,不断自我矮化;一些作家艺术家不是直面现存冲突并积极解决这种现存冲突,而是搁置甚至掩盖这种现存冲突。鲁迅和朱光潜对中国晋代诗人陶潜的不同批评鲜明地折射出了中国现代文艺界的分化。
It is inevitable that Artistic Literature peripherizates in today's China. Some writers and artists don't resist and criticize, they just cater for the trend, and even look down upon themselves. They don't face the conflict and try to find a out, they just put it aside and even cover up the conflict. The different criticism on poet Taoqian of Jin dynasty from Luxun and Zhu Guangqian shows the division of Artistic Literature circle in today's China.
出处
《宁波教育学院学报》
2014年第2期45-47,共3页
Journal of Ningbo Institute of Education
关键词
文艺
边缘化
社会责任
全面发展
Artistic Literature
Peripherization, Social Responsibility
Overall Development