皮朝纲禅宗美学三书研究对象的学术意义——从禅门居士王维被赋予“南宗之祖”说起

On The Academic Significance of the Research Object in Pi Chaogang's Three Books on Zen Aesthetics: from Wang Wei's Being Entitled "Forefather of Southern Zen"

禅宗大师与笃信禅理的居士在书画领域的著述和美学主张,是禅宗从哲学层面进入到诗性生活的具体体现,提供着立体认识中国美学思想史的重要视角,当今学术界却鲜有学者将目光投向这一特殊而又绕不开的群体。皮朝纲老师建立在禅师与居士著述文献基础上的禅宗美学研究,填补了这一空白。

Zen masters and a faithful Zen Buddhists worked together on painting and calligraphy, and their writing and aesthetic thought represent the development of Zen from a philosophy level into a poetic life, which con- stitutes an important perspective to reach an all - round interpretation of the history of Chinese aesthetics. This spe- cial scholar group has seldom aroused researcher＇s attention until Pi Chaogang published his findings on this re- search object to fill this gap.