摘要
抗战爆发后,丁玲到达延安并作为党的主要文艺负责人,不仅在理论上进行倡导,创作实践上也积极进行革命叙事的话语建构。小说《夜》延续了丁玲五四时期注重心理分析的手法,表现了主人公在"本我"、"自我"和"超我"之间的矛盾。
After the outbreak of war, Ding Ling arrived in Yan＇an and as a main leader of party＇s art, who didn＇t only create in theory but also actively practised discourse construction of the revolutionary narratives. The novel ＂Night＂ continued Ding Ling＇s psychoanalytic approach during the May Fourth Period and revealed the contradiction among the “I”, ＂self＂ and ＂super self＂.
出处
《职大学报》
2014年第2期28-30,49,共4页
Journal of the Staff and Worker’s University
关键词
革命叙事
丁玲
夜
建构
解构
Revolutionary Narration
Ding Ling
night
construction
deconstruction
