摘要
以李长之《中国画论体系及其批评》为研究核心,通过论述其在中国现代学术上的重要价值,即它是中国传统画论进行现代转换的一次重要实践成果,它建立了富有个性的充满时代精神的理论体系,它是中国文艺美学现代建构历程中的重要著作,试图唤起美学界对李长之文艺美学思想的关注,从而对其学术史地位尤其是文艺美学学科史地位的恢复发挥作用。
This paper is the studies on China Painting Theories System and Criticism by LI Chang-zhi . We deem that it expounds the important value in Chinese modern academic history for its achievement on modernization of Chinese traditional painting theories .It established a modern theory system based on the tradition w hich is full of the era spirit and unique personality .It is the part of Chinese modern aes-thetic and tries to arouse the attention on aesthetics of literature and art of Li Chang-zhi ,in order to re-cover his position of academic history ,especially his academic status in the history of history of aesthet-ics of literature and art .
出处
《河北大学学报(哲学社会科学版)》
CSSCI
北大核心
2014年第2期20-23,156,共4页
Journal of Hebei University(Philosophy and Social Science)
基金
2013河北省教育厅高校科研计划重点项目<李长之与中国艺术理论的现代转换>(SD134010)
关键词
李长之
中国画论
现代转换
文艺美学
Li Chang-zhi
traditional painting theories
modern transform
aesthetics of literature and art