摘要
里尔克的诗歌创作中凝聚了独具一格的诗学,其诗学致力于对时空关系和物我关系的新思辨。关于时空关系,里尔克主张取消时间、摧毁时间而凸显空间。他在诗歌创作中试图建立"时间已然失效的空间世界概念",以此实现内在空间与外在空间相结合,并超越传统意义上的时空限制。正是通过对物的凝望和对空间的重视,里尔克促成了物我之间的"深层移情"关系。他将主观浓郁的物我情感以客观冷静的形式加以呈现,揭示了"‘物’的本质是人类存在的象征",直抵人类存在的本源,并予以诗意的敞开。
Rilke's poetry creations possess a special poetics which is committed to a new reflection on the relation between space and time, and between object and ego. On the relation between space and time, Rilke proposes to cancel and destroy the time and show the space. In his poetry creations, he tries to establish "a space world conception with the ineffectiveness of the time", to realize the combination of inner space and outer space and surpass the space limit in the traditional meaning. Through the gaze at object and emphasis on space, Rilke constructs a "deep empathy" between object and ego. He presents the subjective emotion between object and ego in the form of objective calmness, and reveals that "the essence of 'object' is the symbol of the being of human".
出处
《外国文学研究》
CSSCI
北大核心
2014年第2期154-161,共8页
Foreign Literature Studies
关键词
赖内·马利亚·里尔克
诗学
时空关系
物我关系
Raine Maria Rilke poetics relation between space and time relation betweenobject and ego