接受的复调:中国巴洛克文学研究的回顾与反思

Accepted Polyphony: Review and Reflection On Chinese Studies of Baroque Literature

20世纪七十、八十年代以来,中国对欧洲十七世纪巴洛克文学与文化的研究,涉及巴洛克概念的来源、巴洛克文学的总体评价、巴洛克文学文本探讨、巴洛克文学影响研究等多个方面;研究视角与方法也从比较单一的社会历史批评转向了文本细读、比较研究等方面。但是,目前的研究,还存在一些问题、疑惑和盲点,诸如巴洛克语源追溯杂乱、巴洛克概念及文学文本界定标准含混、对文本的审美文化价值评判有失公允、对巴洛克文学思潮的理解与评价存在片面性等。只有对此正视并加以探究,才能对今后的巴洛克文学研究有所助益。

Ever since the 1970s and the 1980s,the studies in China on Baroque literature and Baroque culture in European in the 17th century have been showing a trend of expansion and deepening. The researches involve the origin of the concept of Baroque and Baroque literature ; the overall evaluation of Baroque literature ; the exploration of the Baroque literature texts and the Influence of Baroque literature. The research perspectives and methods in- clude text reading, more research in the field from a single social history criticism. However, in the current stud- ies, there are still many problems, doubts and blind spots in the aspects such as the disordered phenomena of the trace about the source of the existence of the language, the ambiguous definition of the standard of the confirmation of the concept and the literary text of the Baroque, the unfairness of the aesthetic and cultural value judgments about Baroque literary text, one - sidedness in the understanding and evaluation of Baroque Literature and so on. Only when we face all these problems can we have a more positive effect in the future studies of Baroque literature.