书法笔墨与绘画笔墨的比较

Comparison between'the Brush and Ink'Used in Calligraphy and Painting

绘画笔墨有着与书法笔墨不相一致的历史发展进程。在书法先期成熟之时,线条、轮廓方面的用笔造型对绘画有巨大影响;但随着唐代以来绘画水墨的发展,绘画墨法长足进步,进而与笔法相互整合,产生了有笔有墨的笔墨观念,并随着明清写意笔墨的发达,反过来兑入了书法笔墨之中。而写意的发展又使得绘画笔墨不得不远离宋代写实传统,进而与书法笔墨的表现性不谋而合。于是,书画一体才真正地被文人画一脉创造了出来。

The brush and ink used in paintings have a different developing process with those in calligraphy. Chinese calligraphy developed in the first place,it deeply influenced Chinese painting. After the Tang Dynasty,Chinese painting has developed rapidly,resulting in the concepts of brush and ink,which in turn enters the brush and ink used in calligraphy inside,with the further development of Ming and Qing Dynasties＇ brush and ink. With the development of China＇s freehand brushwork painting,the brush and ink used in paintings was away from the realistic style of the Song Dynasty,the internal reasons why there are calligraphies used in literati paintings will also be interpreted.