摘要
德国犹太音乐的幸存因素,不应该按其美学价值的常规判断。而是应该在它们创造的起源和表现的环境里加以审视。在某种意义上也可以将这些材料看作是在逆境下犹太认同的重构过程,也可以看作是一种抗议形式,抵抗精神摧残的雄辩之声。
The essay tackles the Jewish musical life and the Jewish Kulturbund(cultural league) in Nazi Germany between 1933 and 1941,focusing on the way they reconstructed the Jewish identity and a substantial cultural ghetto in the hard times,eloquendy voicing their resistance against Nazi's spiritual persecution.This musical life was also the prelude to the later Shanghai Jewish diaspora musical life during 1938 and 1947.
出处
《音乐艺术（上海音乐学院学报）》
CSSCI
北大核心
2014年第1期51-68,共18页
Art of Music(Journal of the Shanghai Conservatory of Music)
基金
上海高校音乐人类学E-研究院建设计划项目:e05011
