摘要
夏俊娜笔下经常出现优雅的女性形象和繁茂植物的组合,在《唐宋人间》、《持节图》、《傲霜图》、《猗兰操》、《风陵渡》等作品中,艺术家尝试了古典意象的融入,把她所擅长的题材、绘画语言与中国文化中的美人香草联系起来,增加了作品的文化底蕴和精神内涵,为本土文化与外来艺术形式的融合找到了一条道路。
The combination of lush vegetation and elegant maid often appears in Xia Junna' s artworks, such as The World of Tang and Song Dynasty, Chi Jie Tu, Resistance to The Frost, Yi Lan Cao, The Feng Ling Ferry. The artist tries to integrate the classical image into her favourite subject and the language of painting, combining the western aesthetics with the image of beautiful maids and the vanilla from Chinese cuhure. She not only adds the cultural and spirit connotation in artworks, but also finds a way for the integra- tion of Chinese culture and the form of foreign art.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2014年第3期138-139,142,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
夏俊娜
美人香草
本土文化
Xia Jun Na
the beautiful maids and the vanilla
Chinese culture