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《所罗门之歌》人物之精神分析 被引量:1

PSYCHOANALYSIS OF THE CHARACTERS IN SONG OF SOLOMON
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摘要 托妮·莫里森在小说《所罗门之歌》中塑造了一系列精神异化、人格分裂的人物,运用弗洛伊德的精神分析理论对其中主要人物进行精神结构和行为分析发现,奴隶制在黑人民族幼年带来的创伤以及白人主流社会和文化价值观念对黑人民族的迫害之深已融入了这个民族的集体无意识,成为黑人民族的"超我",限制和压抑黑人的"自我"和本能,导致黑人精神人格的分裂。 Toni Morrison portrays a lot of characters with schizophrenia in the novel Song of Solomon and applies Freud's psychoanalytic theory to analyzing the main characters' psychology structure and actions. It exposes that the scar left by slavery and the persecution of black people by the social and cultural values of the white mainstream are so severe as to have been merged into black people's collective unconsciousness and formed black people's “super-ego”, which restricts and constrains their “ego” and instincts, thus leads to their split personality.
作者 李异辉
出处 《云梦学刊》 2014年第2期130-133,共4页 Journal of Yunmeng
基金 湖南省高等学校科学研究项目(12C0714) 湖南理工学院科研项目(2010Y26)
关键词 《所罗门之歌》 人物 精神分析 Song of Solomon characters psychoanalytic theory
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  • 1高继海.托尼·莫里森小说的叙述特色[J].解放军外国语学院学报,2002,25(1):67-71. 被引量:26
  • 2[1]William Grimes.Toni Morrison Is 1993 Winner of Nobel Prize in Literature The New York Times,October,8,1993,A1.
  • 3[2]Nellie Mckay,"An Interview With Toni Morrison",from Toni Morrison:Critical Perspectives Past And Present,edited.by Herry Louise Gates and K.A.Appiah,New York.Amistad Press,1993.
  • 4[3]Rosemarie Lester,"An Interview With Toni Morrison",from Critical Essays On Toni Morrison,edited by Nellie Mckay,Boston,G.K.1988.
  • 5[4]Toni Morrison,"The Site of Memory",from Inventing The Truth:the Art and Graft of Memories,edited by William Zinsser,Boston,Mas Houghton Miffline,1987.
  • 6[5]Taylor Guthrie and Danvivle Kathleen,"Conversations With Toni Morrison",Jackson:University Press of Mississippi,1994.
  • 7[6]Toni Morrison:"Song of Solomon",New York:Signet,1978.
  • 8[7]Toni Morrison,"Rootness:The Ancestor as Foundation",from Black Women Writers (1950-80):A Critical Evaluation,edited by Mari Evans,New York:Anchor Press,1984.
  • 9程锡麟,王晓路.当代美国小说理论[M]外语教学与研究出版社,2001.
  • 10Conversations with Toni Morrison,1994.

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