摘要
鼓吹乐曲本身具有军乐属性,其在出征命誓和还师凯旋两种重大军事仪式场合的礼乐应用,促使了魏晋以来命将出征、庆贺胜利等诗篇的生成,直接催生了"凯乐体"战争诗的生成。"凯乐体"战争诗及边塞诗,应用于出征则极力宣扬出战必胜的威仪,应用于凯旋则颂扬军威国威告捷献功。这类作品长期以来被当作歌颂侵略的非正义作品加以批判,是忽视了其"凯乐体"文体特征的内在书写要求。
As the Guchui music has the basic use for military, especially for sending troops or celebrating tri- umph, it has directly produced the "Kaiyue - style" poems. These pomes vigorously advocate the rituals for the vic- tory of the war when they are used for sending troops, and greatly advocate the meritorious contribution for the Em- pire when they are used to celebrate the victorious return. These pomes have long been criticized as glorifying the unjust aggression. But in fact it ignores the intrinsic literary characteristics for the writing of the "Kaiyue -style".
出处
《广州大学学报(社会科学版)》
CSSCI
2014年第1期71-77,共7页
Journal of Guangzhou University:Social Science Edition
关键词
鼓吹乐曲
凯乐
凯乐体
战争诗
边塞诗
Guchui music
Kaiyue
Kaiyue -style
poems of war
poems of border areas