摘要
回避作者创作角度,而从读者接受与作品本身出发,站在女性主义的本体立场之上,对《神雕侠侣》文本中的李莫愁人物形象进行定位分析,并对其悲剧进行探因,能够发现金庸小说中女性创作的独特魅力。事实上,抛开李莫愁的残酷滥杀,她其实是一位追求爱情与个性解放女权主义的先驱。她的悲剧由男性中心主义造成,金庸对该人物形象的塑造有对男权主义进行反思的意味。
Avoiding the creation perspective, from the readers accepting and the works, from the feminist position, the author made a location and analysis on Li Maochou in the“Shen diao xia lu” version, probing into the causes of her tragedy, found out the special charm of the feminist image in his novels. In fact, despite Li Mochou’ s brutal killing, she actually is a pursuit of love and the liberation of personality as the precursor of feminism, her tragedy is caused by male chauvinism. This image is of some reflection of the male chauvinism.
出处
《黄冈职业技术学院学报》
2014年第1期59-62,共4页
Journal of Huanggang Polytechnic
关键词
文学批评
环境悲剧
女性立场
古墓派
Literary criticism
Environmental tragedy
The feminist position
Ancient tomb