中国现代作家笔下的“南洋”风景:花木与建筑

Flowers,trees and architecture:The Landscape of “NanYang” by Modern Chinese Writers

中国现代作家笔下有许多描写"南洋"风景的篇章,其中以"南洋"花木描写与"南洋"建筑描写卓为突出。诗人杜运燮的《热带三友》笔致动人地写述了"南洋"椰、蕉、木棉的尤异姿态和精神内涵。"南洋"的佛塔寺可谓"南洋"文化"超机体"的一个泛例隐喻,而新加坡的"鱼尾狮"则是"南洋"文化记忆库里最微缩典型的一个特案象征,两者分别从宏观与微观的代表性视界具体而微地诠证了"南洋"建筑风景全部文化归属性的"情感结构"。

In modern Chinese writers＇works,there are many articles written about the landscape of “NanYang”,in which the description of flowers,trees and architectural is the most prominent.The “Tropical Three Friends”writen by poet Du Yunxie vividly portrays the spiritual connotation of the coconut,banana and kapok.The pagodas and Temples is a metaphor of “NanYang”culture,while Singapore’s Merlion is the most typical symbol of “NanYang”cultural memory as a miniature,which specificly and detailedly descriptes the“structure of feeling”of the cultural attribution of“Nanyang”‘s architectural landscape from both the macro and micro perspective.