摘要
藏族宗教物包装兴于吐蕃时期,受到藏族原始宗教苯教的图腾崇拜、藏传佛教、其他各地区宗教物包装的综合影响,逐渐形成端庄敦厚、庄重肃穆的形制特征,且其装饰纹样精美威严,选材考究,制作精良,极显精美华贵。藏族宗教物包装以其物以载道的象征性及传播性、多元文化交汇下的融合性以及服务于统治阶级的审美性,充分体现出其典型的宗教文化意蕴。
The packaging of Tibetan religious statues prospered in Tubo period and was influenced by the comprehensiveeffects of the original Tibetan religion “Bon”, namely, the religious statues packaging of Totem Worship, TibetanBuddhism and other various areas. It gradually developed into the characteristics of dignity and solemnity in shapes, withexquisite and majestic patterns, well-selected materials. The packaging was well-made and showed extreme delicacy andluxury. Through the characteristics of symbolic and propagation of “material forms as ideals”, fusion of the diversifiedcultures, aesthetic nature serving the ruling class, Tibetan packaging fully reflected the typical religious cultural implication.
出处
《包装学报》
2014年第1期76-80,共5页
Packaging Journal
关键词
藏族
宗教物包装
艺术特征
文化意蕴
Tibetan
religious packaging
artistic characteristics
cultural implication