摘要
明代前期,文人对杜牧诗文的评价贬抑多于赞扬。明代中期,文人逐渐重视杜牧的诗文,对杜牧诗文的评价褒贬不一。明代后期,由于复古思潮的衰微,文人对杜牧诗文的评价赞扬多于贬抑。此外,明人以杜牧诗入画,收录杜牧书法,明传奇中演述杜牧风流旷达的才子形象,为我们扩大了了解明人对杜牧及其诗文接受的空间。杜牧及其诗文在明代的接受和传播与宗尚盛唐、贬抑晚唐的诗学思潮相关,也与复古思潮的衰微、宗教思想的渗透和杜牧诗赋的情调紧密相关。
in the early Ming Dynasty,men of letters made more negative comments on Du Mu′s poems than positive ones. While during the middle period,these comments differed. in the later,due to the fading trend of revivalism,they showed more commendation. in addition,literati of the Ming Dynasty painted scenes de-scribed by Du′s poems,recorded his handwriting,shaped him a bold and broad-minded image in legends, which extends our horizon about those literati′s acceptance on his poems. The acceptance and dissemination of Du and his poems is connected with the poetry trend featuring the worship of the prosperous Tang Dynasty and derogation of the Later Tang,and it also correlates the declining trend of revivalism,penetration of religious thoughts,as well as the sentiments of Du′s poem and Fu.
出处
《学术交流》
CSSCI
北大核心
2014年第5期174-179,共6页
Academic Exchange
关键词
明代
杜牧
接受
传播
the Ming Dynasty
Du Mu
acceptance
dissemination