摘要
民间工艺美术在非物质文化遗产的活态保护中是极具典型意义的一个门类,其精神内蕴与生长环境的活态性,使我们须从工艺产品内部自身表达方式、外部自然与文化生态环境两方面建构其活态保护空间。而在这个空间内部,起着梁与柱的支撑作用的,便是传承方式与劳作方式的活态性:传承中以人为本、以情为末便是柱,劳作中以手为本、以差异为末便是梁。
Folk arts and crafts is a special category in the living protection of intangible cultural heritage. The spiritual connotation of it and the living environment it exists make us construct its living protective space in two aspects: the way of inner self-expression and the outer natural and cultural ecology. And the interior space is supported by the living transmission and work, that is, the human being is the first and the passion is the last in transmission and the hand is the major and difference is the minor in the labor. Based on this, we can build a complete living space for the intangible cultural heritage.
出处
《西北民族研究》
CSSCI
北大核心
2014年第2期94-97,77,共4页
Journal of Northwestern Ethnic Studies
基金
上海社科青年项目"传统图像元素与城市文化形象塑造"(项目编号:2012EWY003)的阶段性成果
关键词
非物质文化遗产
活态保护
民间工艺美术
intangible cultural heritage
living protection
folk arts and crafts