园芳杂辑——探中国古代文献中潜藏的造园花木专篇

Garden Plants in Literature: Primary Study of Chapters of Plants Hidden in Chinese Traditional Literature

从童寯先生提出的"三卷《园冶》无花木专篇"的遗憾展开,以现当代学者针对造园花木研究的理论背景为基础,对"能主之人""文人""造园学视角"及"花木理论"等相关问题进行辨析和阐释;而后,以《长物志》《闲情偶寄》《花镜》《广群芳谱》4本古典专著以及若干古代画论所涉及的花木理论为例,从鲜明的造园学视角出发,将富有造园指导意义的内容在统一的园林逻辑下重新梳理和比较,试图探寻从"泛论""断章"中重新获得"花木专篇"的研究方法。

This article begins with the regret which brought up by Tong Jun that ＂there is no chapter about plants in all three volumes of Yuan Ye＂, and based the theoretical context upon the study of modern and contemporary scholars on garden plants, especially emphasis on the analysis and elucidation of related issue, such as ＂scholarly owner＂, ＂scholar＂, ＂the perspective of gardening＂, ＂the theory of plants＂ and so on. After that taking plants theory for example, which is included in the four classical monographs Zhang Wu Zhi, Xian Qing Ou di, Hua Jing, Guang Qun Fang Pu and numerous traditional painting theories, from the distinctive perspective of gardening, the authors are able to once again systemize and compare content imbued with guiding significance of gardening under the integrate logic of garden, attempt to search fiom the part of introduction and pieces of content to regain research methods of the chapter of plants.