20世纪30年代我国现实主义文艺理论发展的三种理路——冯雪峰、周扬、胡风早期现实主义理论之比较

Three Theoretical Methods of the Development of Realistic Literature and Art Theories in the 1930s in China——A Comparative Study on the Early Realistic Theories of Feng Xuefeng,Zhouyang and Hufeng

1933年前后我国左翼文艺界摆脱庸俗社会学的影响,逐渐接受正统的马克思主义现实主义理论,在总结本土化现实主义创作经验的基础上,开始形成中国化的现实主义理论体系,并诞生了第一代马克思主义文艺理论家,其中冯雪峰、周扬、胡风的现实主义理论体系之间存在着明显差异,形成了三种不同的发展理路和传统。

In 1933, leftists of our literature and art circle gradually got ride of the influence of vulgar sociology and accepted the authentic realistic theory of Marxism. On the basis of localization of realistic creation, a system of Chinese realistic theory began to take shape and the first generation of Marxist theorists of literature and art began to appear, among which Feng Xuefeng, Zhou Yang and Hu Feng were obviously different in their systems of realistic theories. Therefore, three different development methods and traditions had been formed.