《从莫斯科到彼图什基》的狂欢化因素

On the Carnival Factors of <Moscow-Petushki>

巴赫金的狂欢化理论具有丰富的理论内涵与开发空间,它为我们解读后现代主义作品提供了一种新的视角。在狂欢化理论的指导下,我们发现,俄罗斯后现代主义开山之作《从莫斯科到彼图什基》充满了巴赫金式的狂欢化因素:具有全民性质的狂欢广场;狂欢化的人物形象;广场语言的大量使用;讽刺性模拟的狂欢化诗学表达手段以及仪式性的加冕、脱冕情节。小说的狂欢化因素,体现了充满对话精神、颠覆常规的狂欢式的世界感受。

Bakhtin＇ s carnival theory with rich theoretical content and development space, it provides a new perspective tor us to unaer-stand the postmodernism works. According to the Bakhtin＇s poetics of carnivalization, we found, that 〈Moscow-Petushki〉, as the firstwork of Russian post-modernist literature, is full of Bakhtin＇s carnival factors： the carnivalesque square, the carnivalesque characters,the extensive use of carnival language, the parody means, and some carnivalesque rituals such as ＂crowning / decrowning＂ have beenalso used in the novel. Carnival factors in the novel, reflect the carnival sense of the world, which is filled with the spirit of dialogue andsubversion.