“且看石壁犹歌舞,反弹琵琶慰柔肠”——浅谈《反弹琵琶品》中人物形象的塑造

Dancing Fresco and Rebound Pipa with Heart ——Discussion on the Character Making of“the Lute Rebound”

敦煌壁画凝聚了整个敦煌文化艺术最精华的部分。一座座沉睡千年的石窟里,那千姿百态的"菩萨""仙人"不仅仅是宗教艺术的遗存,也为我们刻画各个时代的舞蹈风貌提供了宝贵的舞蹈形象资料。本文试通过对敦煌舞剧目《反弹琵琶品》的表演实践,以演员创造角色过程的视角,分三个层次分析、总结其人物形象的塑造。

Dunhuang frescoes cohere as the essential part of Dunhuang culture. Inside these cave sites, some frescos dating back thousands of years ago display various types of Bodhisattvas and immortals, which are not just religious relic but also figurative documentations of dancing postures in various eras. This article tries to examine the performance of Dunhuang opera： Rebound Pipa. From the perspective of how the dancer creates the character, this article analyzes and summarizes the process of creation on three different levels.